Alyson Campbell

The queer-identified artist, like the queer-identified researcher, is always functioning in a deeply ambivalent position. What does it mean, when one of the fundamental principles of queer is that it sets itself up against what is normative, for this queer-identified person to exist within, be paid or salaried within, or seek approval from, one or more of these institutions? What happens to (their/my) queerness?